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he had handed over the boots and taken hold of her chrysalis, she began to juggle them in one hand. It was pure hand-eye coordination; something at which Galen had never excelled. With a flourish of her hand, she conjured the illusion of a ballet slipper, added it into her juggling. Carvin's spell language was that of the body; specific, precise movements and their accompanying mental impulses comprised her spells.

With a slightly different flourish of her hand she conjured a sandal, then a buckled shoe. She was now juggling with two hands. Then she seemed to run out of objects to juggle, as the collection of real and fake shoes refused to descend. They had collected in a line over her head, tapping and twisting. It was a great combination of reality and illusion. She could move the illusory shoes easily with a spell. But the real shoes had to be held aloft with transparent flying platforms, which were difficult to conjure at any distance.

Under one of Alwyn's boots, Galen could make out a rippling distortion about an inch thick. The distortion shifted slightly as the flying platform tilted and twisted, so that the boot resting on it seemed to move.

Carvin extended her arms to the right and swung them around to her left. The shoes began to move in a circle around her and Alwyn. As they did, she waved one out to arc overhead and rejoin the circle on the other side, then another. Soon she had the shoes moving in a complex pattern, her body swaying and her arms tracing out intricate spells. In her multicolored silks, her movement itself became a part of the magic.

At last all the shoes came back to Carvin's hands to be juggled. One by one she dissolved the illusions, until all she juggled were the two boots. Then she dissolved those illusions as well. No shoes were
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